Several weeks ago, I was honored when my friend Beto González asked me to take over the design campaign for an upcoming show he’d been working on. Below is what I came up with based on his great ideas. Recently, I’ve also been added on to this amazing show happening at the Ford Amphitheatre in Hollywood CA this Friday August 4th. The show begins at 8:30pm, but I’ll be out on the plaza spinning a deejay set of Brazilian music and other tunes from around the world beginning at 6:30pm. It’s another great honor to be part of this night of Resistance music that’s good for the soul, given the seemingly many parallels with America’s political climate and that of Brazil during the mid 1960s thru the mid 1980s. Check out this great article by Ivan Fernandez posted this morning in the LA Weekly:
So grab your tickets at www.fordtheatres.org and come out early with a picnic basket and some wine and make a great evening of it. I’d love to see you there. ❤
After I stayed for a few more awesome deejay sets (big up MIKE STYLES and ARTI!) at Saturday’s ARTISM event, I headed out to THE BLUE WHALE jazz club in Little Tokyo for an event that I wasn’t sure that I’d be able to attend. I’m so glad that I did. Titled “Celebrating African Heritage”, I wasn’t sure what to expect, given that the impact of African culture throughout the world has been vast and glorious. Fronted by Brazilian guitarist Marcel Camargo, however, I quickly learned that the music would focus on music from Brazil, Martinique, the USA, and Africa, of course. Upon arrival, I noticed that 1) the performance area was set up in a circular ‘roda’ fashion, with the musicians facing the center of the circle and the audience seated all around them 360 degrees, and 2) that there seemed to be a particular preponderance of percussion instruments. As the musicians gathered in the circle, the roster boasted a handful of LA’s heaviest percussion firepower: Leo Costa, Gibi dos Santos, Alberto Lopez, Andre de Santanna and Kahlil Cummings. The video below is :25 clip of the beginning of the show. My apologies for not capturing Brazililan vocalist Thalma de Freitas, who was positioned directly across from Marcel Camargo and hidden from my vantage point as I panned across. It was an amazing night and I’m hopeful that Marcel and Dexter Story (musical director) will get the group together again soon!
Much love and gratitude to the homie, my dude outta Chamonix Mont-Blanc, my French connection, Seb(astien) ‘DJ Krimi’ Benisti, for airing my Me Llevaba (Glenn Red ‘Rub-a-Dub’ remix ft. Todd Simon) by QUITA PENAS on his ‘RADIO KRIMI’ 24/7 online radio broadcast. Not only does it fall among wonderful company on the list photographed here, but every Radio Krimi mix and playlist bursts with amazing music, carefully curated by Seb and his wide but discerning tastes. Do tune in to RADIO KRIMI as often as you can!
And be sure to check out the QUITA PENAS Remixes by my crew LA JUNTA SOUND SYSTEM on the QUITA PENAS BANDCAMP PAGE.
It’s been about a year since my partners in crime, DEGRUVME and YUKICITOm and I from LA JUNTA SOUND SYSTEM began working on remixes of three tunes by our friends from local Los Angeles (Riverside) band QUITA PENAS. This past Tuesday April 12th, however, the time was right to put the remixes out into the world, into the ethers, and into the hearts of our mutual fans, and hopefully into some new ears! Much love and gratitude to the fellas of Quita Penas and to Samuel Martinez of desmadre.com for the supafresh album art.
Click the link to grab the EP from QUITA PENAS Bandcamp Page. Just $4 for all three tracks. Skip that one overly sweet espresso drink and cop some of this tropical flavor!
Pretty cool…I found an egg (-shaped graphic, that is) along with a Brian Eno production credit on this morning’s hunt. Happy Easter to you and your loved ones!
In case you wanted to hear a bit of what this record sounds like, here’s a YouTube video of the song “Something Lefeh-O”, Track 2 on Side 1 of the LP. Hope you dig it.
Below are a handful of photos from last Wednesday’s acoustic set from the Bay Area’s ‘MEKLIT’ HADERO, taken at Balch Auditorium at Scripps College in Claremont, CA. She mesmerized the intimate but enthusiastic crowd with an aurally stripped-down acoustic trio set, featuring only guitar, upright bass, and percussion. Meklit’s fine repertoire of jazz, soul and pop blend with East African sensibilities, thanks to her Ethiopian-American heritage. I bought two of her albums on cd, shown below. Cop ’em and let your friends know!