inspiration.

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irRESISTible.

Several weeks ago, I was honored when my friend Beto González asked me to take over the design campaign for an upcoming show he’d been working on. Below is what I came up with based on his great ideas. Recently, I’ve also been added on to this amazing show happening at the Ford Amphitheatre in Hollywood CA this Friday August 4th. The show begins at 8:30pm, but I’ll be out on the plaza spinning a deejay set of Brazilian music and other tunes from around the world beginning at 6:30pm. It’s another great honor to be part of this night of Resistance music that’s good for the soul, given the seemingly many parallels with America’s political climate and that of Brazil during the mid 1960s thru the mid 1980s. Check out this great article by Ivan Fernandez posted this morning in the LA Weekly:

Brasil 70: Samba/Soul/Resistance at The Ford Theatres

So grab your tickets at www.fordtheatres.org and come out early with a picnic basket and some wine and make a great evening of it. I’d love to see you there. ❤

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major drums.

After I stayed for a few more awesome deejay sets (big up MIKE STYLES and ARTI!) at Saturday’s ARTISM event, I headed out to THE BLUE WHALE jazz club in Little Tokyo for an event that I wasn’t sure that I’d be able to attend. I’m so glad that I did. Titled “Celebrating African Heritage”, I wasn’t sure what to expect, given that the impact of African culture throughout the world has been vast and glorious. Fronted by Brazilian guitarist Marcel Camargo, however, I quickly learned that the music would focus on music from Brazil, Martinique, the USA, and Africa, of course. Upon arrival, I noticed that 1) the performance area was set up in a circular ‘roda’ fashion, with the musicians facing the center of the circle and the audience seated all around them 360 degrees, and 2) that there seemed to be a particular preponderance of percussion instruments. As the musicians gathered in the circle, the roster boasted a handful of LA’s heaviest percussion firepower: Leo Costa, Gibi dos Santos, Alberto Lopez, Andre de Santanna and Kahlil Cummings. The video below is :25 clip of the beginning of the show. My apologies for not capturing Brazililan vocalist Thalma de Freitas, who was positioned directly across from Marcel Camargo and hidden from my vantage point as I panned across. It was an amazing night and I’m hopeful that Marcel and Dexter Story (musical director) will get the group together again soon!


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doin’ fine in the 909.

Big thanks to Mike Styles and Porchlite of the Inland Empire-based Beats of All-Nations crew for the invite to turn some vinyl this past Saturday. The ARTISM group art show held at NuWave Studio in the City of Upland brought together a fantastic roster of visual artists, whose various pieces I found myself admiring at length during the three hours I stayed. All evening long, I kept saying how I thought that while it was a relatively small show, all the pieces were remarkable. I was really grateful to be included among the roundup of tasteful deejays that blessed the turntables on that evening, each adding more depth to the visual experience the art lovers expected. I enjoyed meeting some new folks as well as seeing some familiar faces like Stryke Uno and Gabe Real. I look forward to attending the next show!


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crowdfun/d.

The fellas from one of my favorite bands in Los Angeleas–LA CHAMBA–have invited me onto the deejay lineup for their GoFundMe campaign launch. I’m thrilled and honored to support the release of their upcoming album, Ecos de la Selva and beseech all of you to check out this fantastic band join us as we crowdfund the pressing, packaging and distribution of thier first full-length album. Please watch their cool campaign promo video below and see the posted flier and links for details on the Wednesday MARCH 15th event happening at LA CITA bar in DTLA. I’ll be there with fellow deejays FRESKO and THE GETDOWN COLLECTIVE and look forward to live performances by sonidero cumbia sensations ZAPOTECA ROOTS and, of course, LA CHAMBA!!
The event is hosted by Urban Badlands and La Mina Oro.

Click on above image for Facebook event page.


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kindred voices.

tunog-tao-cover-art

Sending deep gratitude today to LA global bass artist GINGEE for inviting me to contribute a track to this diverse compilation of Filipino musicmakers from the US, Canada, France, and of course the Philippines. My pieces is from an EP of meditation traks I’d worked on in late 2013 that I shelved in favor of other projects, this one incorporating just a gong, a rainstick, a simple vocal and a few drum samples. Listen through and enjoy this project…there is some fantastic material here. Free for download or pay what you’d like. Please share it if you dig it.

Curated by GINGEE and KIMMORTAL.
Cover art by KIMMORTAL
Baybaysin (pre-colonial script in title) by KRISTIAN KABUAY


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on that note.

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I posted this on social media during his presidential farewell speech. These Barack Obama Jazz images, modeled after the iconic Blue Note Records album covers designed by Reid Miles, started to pop up way back during Obama’s historic first election run and during both his terms as the POTUS. A Facebook page dedicated to our first black President appeared and I found myself tripping over myself in delight over these “album covers” that hearken back to the days of our Jazz pioneers and the epitome of cool. I took as many as I could find, minus a few, and put them together in this square image. While Obama’s policies didn’t always go over well with even his most staunch supporters, I think history will show that he was one of the finest to ever hold the Office. One thing is for sure, no other President in recent history handled himself more presidentially, or more righteously, graciously and even stylishly. In these images, I’m certain of that. You are dearly missed, Mr. Obama!


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inking of a master plan.

2017, let’s do this!

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